How you get subtitles for the movie Everybody Wants
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Richard
Linklater’s Dazed and Confused is a truly remarkable film. The movie is one of
the best coming-of-age stories that we’ve seen - outfitted with a wonderful
collection of great actors, iconic performances, and one of the most endlessly
listenable soundtracks we’ve heard – and it still remains as fresh and
entertaining today as it did the moment it was released. It’s a feature that
never really needed a sequel, “spiritual” or otherwise, but somehow Linklater’s
Everybody Wants Some!! still manages to feel like a project that we’ve been
eagerly anticipating for the last 23 years. Set in the fall of 1980 – giving
the film a distinctly different flavor than its predecessor while possessing a
similar vibe – the story centers on college freshman Jake (Blake Jenner), a
baseball player who arrives at his Texas-based school and immediately finds
himself mixed in with the ridiculous group of guys who will be both his
teammates and housemates. In the days leading up to the first round of classes,
Jake quickly assimilates with the tight-knit group of guys, bonding over girls,
drinking, smoking weed, and playing ball. There’s no high-drama or strict
script structure to speak of – instead playing as more of a “three days in the
life” story – but with an eclectic ensemble of fun characters and a large
collection of fantastically funny set-ups and situations, it hangs together as
a great bit of cinema. Because of the loose way in which it’s put together,
appreciation for Everybody Wants Some!! almost entirely hangs on the audience’s
feelings about hanging out with the gang of college baseball players at its
center – but this is far from challenging, as you gain an immediate
appreciation for their specific brand of rambunctiousness from the opening
moments (which involves a ceiling nearly collapsing under the weight of a
newly-filled waterbed). Over the course of the film, we join the team as they
pick up girls at the local disco, play a bit of ping pong, and chill out
listening to music, and all along, Linklater brings you into the energy and
just has you enjoying this window into the group’s individual lives. It’s a
large ensemble to follow, with more than 10 characters playing integral parts
in the narrative, but it’s made manageable just because of the wide variety of
weird and great personalities that are thrown into the mix – including the
disturbingly competitive McReynolds (Tyler Hoechlin); the borderline insane Jay
Niles (Juston Street); the bad gambler Nesbit (Austin Amelio); the epic pothead
Willoughby (Wyatt Russell); and the southern-fried Billy Autrey (Will
Brittain). Not only do they stand out as individuals, but just like with Dazed
and Confused, there is a legitimate simple pleasure in watching the
rambunctiousness of youth, as they constantly find themselves in circumstances
ripe for antics and shenanigans. Also, in the spirit of its spiritual
predecessor, you can easily imagine looking back at this cast in 10 years and
view this film as a significant stepping stone to success. Ultimately it’s the
film’s period setting that legitimately gives it that “spiritual sequel” feel,
and just like how Richard Linklater perfectly encapsulated the mid-1970s with
Dazed and Confused, Everybody Wants Some!! is a fantastic trip back in time to
1980. The aesthetics are all fantastically on-point, from the various feathered
haircuts to the various bars and nightclubs the ensemble frequents, but once
again Linklater has also put together a soundtrack that movie-fans will be
listening to for decades. Featuring tracks from Van Halen (naturally), The
Sugar Hill Gang, The Knack, Foreigner, and even a punk version of the
Gilligan’s Island theme song, there is an incredibly mix of diegetic and
non-diegetic songs that the writer/director utilizes brilliantly to create a
specific and special atmosphere. In the two-and-a-half decades since Dazed and
Confused was released, Richard Linklater has ventured into a wide variety of
different genres and visual styles, but Everybody Wants Some!! has the
filmmaker proving that you sometimes can go home again. Like his 1993 film, the
movie is a celebration of the fun and freedom of youth, and it’s simply in
capturing this spirit that makes it succeed.
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